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Archive for the ‘Post Processing’ Category

Damien’s landscapes in exhibition, portfolio reviews and software talk

Tuesday, July 12th, 2011

Morning Frost, Damien Demolder

Join Damien Demolder for the Masters Of Vision II exhibition in Southwell Minster for the weekend the 29-31th July. The exhibition of landscape photography, featuring the work of eight other photographers including Dave Noton, will run for the duration of August, but Damien will be on hand for the first weekend to give you advice on your own photography and to discuss his own shooting and processing methods. Book a one-to-one portfolio review so Damien can give you personal guidance on any aspect of your photography. If you prefer you can join a group session with a small number of other enthusiast photographers during which Damien will lead discussions on your work as well as that of others in the group. Need help getting the best out of your image processing software? Damien will be holding a master-class demonstration where he will reveal the secrets of his own fine-tuning techniques that will help you to draw the very best from your own images.

Damien is the editor of Amateur Photographer magazine as well as a professional photographer. His expertise is called on to help judge a wide range of photographic competitions from Landscape Photographer of the Year, International Garden Photographer of the Year, to The UK Picture Editors’ Guild Awards as well as the Amateur Photographer of the Year competition, and many others. He currently has a wildlife exhibition in the head office of on-line printer Photobox, and gave talks this year at the Sony World Photo Organisation Festival of Photography in Somerset House, London. He has just presented a talk on street photography to the journalists of the BBC World Service at Bush House.

Damien will be available to chat you through his own pictures displayed in the Minster at the Meet the Photographers session when the exhibition opens on Saturday morning at 10am. This session ends at 1pm.

Midday Red Sea, Egypt, by Damien Demolder

Events with Damien Demolder at Southwell

• Personal Portfolio Review – 35 Mins £40.00

Friday 29th July 2-5pm & Saturday 30 July 2-7pm

Bramley Room, Saracen’s Head Hotel, Southwell. NG25 0HE

A personal one-to-one portfolio review with Amateur Photographer editor Damien Demolder. A great chance to get some first class feedback on your images, your image making process and to seek advice on any photographic subject, be it a career, equipment, software, techniques or concepts. Bring 5-10 images either in print or digital format (USB stick or CD).

Sessions will last 35 minutes

Book here

• Group Therapy Session £15.00

Sunday 31th July 10am-12.30pm

Bramley Room, Saracen’s Head Hotel, Southwell. NG25 0HE

Join a small group of like-minded photography enthusiasts for a session of chat and group critique. Damien Demolder will lead the discussions on pictures submitted by the participants, so you can get advice on your own image and listen in on the advice given to others facing the same problems, dilemmas and sticking points as you. It will be fun, informative and, most importantly, inspirational.

Book here

Flying South, by Damien Demolder

• Essential Software Routines Masterclass £15.00

Sunday 31th July 2-4pm

The AV Room, The Minster Centre, Church Street, Southwell. NG25 0HD

Whatever you know, think you know or simply don’t know this masterclass, presented by Amateur Photographer editor Damien Demolder, will give you a firm grounding in the proper use of primary software tools, such as Levels, Curves, Layers, colour control and sharpening, and will set you up with concrete routines for processing your digital photographs. These aren’t skills that will make your pictures looked worked on, but which will help you to bring out the best from whatever your camera has captured. The class will last two hours, including a Q&A session.

Book here

See more of Damien Demolder’s recent photographic posts here

To see more of my pictures
visit my photo galleries site
at www.damiendemolder.com

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Morning Frost, Damien Demolder

Midday Red Sea, Egypt, by Damien Demolder

Flying South, by Damien Demolder

Posted in General knowledge, Post Processing, Seeing | No Comments »

Colour toning for reality – Palm Tree Reflections

Wednesday, December 30th, 2009

Palm Reflections

I took this picture of palm trees reflected in a swimming pool on the last day of a two-week trip to The Dominican Republic. For the whole fortnight I’d been taking pictures of the beach, the blue sky, the swaying palms and all sorts of views and scenes that to me typified the sense of the place. In the end though, looking back over them as the end of the trip came in to sight, I wasn’t convinced that I had really captured what it all meant to me. I had some great images, even if I say so myself, that were laden with messages and atmosphere, but I hadn’t made the shot that reflected my own personal experience of the country or what I would want to remember most.

Sitting by the pool after another excursion along the coast to take more pictures I was wondering what it was I had liked the most about the place and what view I would want to take back with me to remember. It had been a very relaxing trip that was very much needed at the time. I’d been knackered before we left home, and it had taken several days of doing nothing and pure relaxation to bring me around to a normal human state. Work had been pretty hectic and long days had been running into late nights and early mornings, and I’d needed this holiday.

Sitting there, drinking up the atmosphere I realised that what I’d enjoyed most was staring back at me. The reflection of the palm trees in the rippling surface of the water, and the deep blues of the sky enhanced by the blue tiles of the pool’s floor. It is the kind of view you can sit and stare at for hours with nothing going on between your ears.

Adding the right colour

I made this image to include enough pool edge so that it could be seen to be a pool but with the majority of the frame occupied by the palm reflections and the lines of the tiled floor. I shot in colour, of course, as one would with such a scene, but was surprised when reviewing the images later on at home that the blue I remembered was not as dominant as I had sensed at the time. I resolved this issue by taking a sample of the blue that I remembered from the image using the sampling tool and then switched the colour file to black and white. I did this using the green channel, in Channel Mixer, and then used the Curves tool to lift the contrast a little. Next I created a new colour fill layer, which I flooded with my watery blue, reducing the layer opacity to 10% to allow the detail of the scene to show through.

The final result is not actually a technically accurate representation of the scene I shot, but it is an extremely accurate representation of what I saw, of what I remember and of the essence of being there, in that place at that time. The camera never lies, of course, but it is a dumb instrument that is not capable of understanding emotion and the way the human eye filters what it sees. The camera often needs help to make a picture that conveys what is happening in the mind behind the viewfinder rather than in physical form in front of the lens – and it was one of those occasions.

Samsung GX20 with Pentax SMC FA 43mm f/1.9 lens. ISO 100

See more of Damien Demolder’s recent photographic posts here

To see more of my pictures
visit my photo galleries site
at www.damiendemolder.com

Palm Tree reflections - the original version

Palm Reflections

Tags: black and white, channel mixer
Posted in Pictures taken with Samsung cameras, Post Processing, Seeing | No Comments »

Back lighting graphic shapes – Bus Stop girl

Thursday, December 11th, 2008

Backlighting • Graphic shapes • Channel mixer • Cropping

The best way to show graphic shapes is to reduce the scene you are photographing to its most basic and fundamental elements. In this case that reduction process meant removing the colour and producing a level of contrast that would show exactly the lines and curves that caught my eye in the first place. I couldn’t control the light, obviously, and the scene only worked from one angle, but it is the element of back lighting that really helps, even in these overcast conditions, to create a semi-silhouette of the bus stop structure and the waiting woman. So I got lucky.

The backlighting reflects off the road and the pavement, making both brighter than they would be from any other angle. This backlighting has also brought out the pattern of the paving and has emphasised the straight edges between each slab. This creates a mass of lines travelling towards the camera and which also lead the eye back into the picture.

Contrasting shapes
The woman stands out as she is the only element in the scene not made up of straight lines, which makes her come forward as the obvious subject. Even the roof of the shelter, which we know is curved in reality, is represented here by straight and solid edges. The only random shapes are made by the pigeon about to land, but as that is quite hidden it doesn’t take too much away from the subject.

Contrast
Having shot this with low contrast settings in-camera I took the image into the Curves and created enhanced mid-tone contrast to strip out some of the image’s greys. In Levels I enhanced the blacks, and reduced the highlight output to inhibit true whites and to soften the visual effect.

Keeping it level, and cropping
At the time of shooting I was very careful to keep all the uprights absolutely straight and level, as they are an essential part of the picture. If you find yours are not quite straight they will distract the viewer’s attention and make them miss the point of the picture. I know I say it a lot, but keeping uprights completely upright is so important.

The last thing I did to the picture was a crop it to 5x4in proportions. I chose this format as it has a classic feel that introduces a quite formal atmosphere that compliments the neat and rigid linear structure and patterns of the scene.

Choosing the moment
Picking the right moment is especially important in this type of scene, as we want to keep things as simple as possible. With people and cars in the background the scene becomes cluttered and we loose the sense of what the shot is supposed to be about. With all these extra shapes that over lap it becomes difficult to see the woman, the back lit road is blocked and the pavement falls into shade. Even one additional element is enough to spoil the picture and create a distraction, as you can see from the these additional shots shown here.

About the black and white conversion
I converted this image to black and white using the channel mixer tool in Photoshop. I chose to use the green channel as it produces the more moderate contrast of the three available. The red channel showed blown out highlights, as does the blue channel. The green channel is also the sharpest and more detailed, and it displayed the right tonal differences between the coloured elements in the scene to make hedges and the grass verge stand out.